| RECORDINGS |

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| LABEL: |
MMG |
| CATALOG
NUMBER: |
CBC
D-MMG-113 |
| UPC
NUMBER: |
N/A |
| NUMBER OF DISCS: |
1 |
| RUNNING TIME: |
37:36 |
| DATE
RECORDED: |
1981 |
| RELEASE
DATE: |
1982 |
| CONDUCTOR: |
ELMER
ISELER |
| ORCHESTRA: |
"SYNTHESCOPE"
DIGITAL
SYNTHESIZER ENSEMBLE
|
| CHOIR: |
THE
ELMER ISELER SINGERS |
| SOPRANO: |
N/A |
| CONTRALTO: |
N/A |
| TENOR: |
N/A |
| BASS: |
N/A |
|
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| AUDIO SAMPLES |
HIGHLIGHTS |
OTHER
RELEASES |
NONE
|
NONE
|

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DISC ONE
Side 1 (18:55 minutes)
1. Sinfonia (Overture) (3:41)
2. And The Glory of the Lord (2:43)
3. For Unto Us a Child is Born (3:56)
4. Pifa (Pastoral Symphony) (3:01)
5. Glory to God (1:49)
6. Behold the Lamb of God (3:25)
Side 2 (18:41 minutes)
1. Surely He Hath Borne Our Griefs
And With His Stripes
All We Like Sheep (7:42)
2. Hallelujah (3:54)
3. Worthy is the Lamb
Blessing and Honor
Amen (6:56)
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SITE RATING: 6/10
SITE
REVIEW: This
recording, made in 1981 as a joint production
of the Canadian Broadcasting Company and
Synthescope Productions promises in its liner
notes that "though electronic, the
instrumental aspects of this recording are not
sterile, but offer a warm and sparkling series
of textures which fit well with the human
voice" - but in reality (and with the benefit
of hindsight), this recording sounds EXACTLY
as if it were Handel's Messiah
as performed on an episode of the cheesy
Eighties-era television show Buck Rogers in the 25th Century.
Synthesizer technology has come a long
with in the decades since this recording was
made, and the chirpy, unnatural accompaniment
here sounds exactly very cold and of-its-time
- and instrumental-only pieces such as the
"Sinfonia (Overture)" and "Pifa" end up
sounding like the an outtake from the
soundtrack to Weird Science.
Fortunately, The Elmer Iseler Singers,
a twenty-voice chamber group which is still
performing as of this writing, sings with
great aplomb and feeling, injecting a welcome
amount of humanity into what would otherwise
be a tedious listening experience. Tempos are
kept bright, and when the choir and
synthesizers are performing together, such as
on a tasteful "Behold the Lamb of God", the
ringing disparity between them is not as
obvious. A curious recording, not
without its pleasures, but only recommended
for the ardent collector.
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