SITE RATING: 2/10
SITE
REVIEW: The Moody Bible Institute, who
annually performs highlights from Handel's Messiah
as part of their holiday tradition, put
together this album, collected from various
recent performances, to celebrate the 50th
anniversary of said tradition, the sole
unifying link being conductor Gerald H.
Edmonds. As such, there is a variety
of soloists, choristers, and orchestral
forces at work. The opening Sinfonia
is given a slow-to-moderate reading with
much charm. Tenor Walter Fawcett, who
appears on the first two arias, gives a good
uncommitted performance, lacking in tonal
brilliance. The first chorus gives the
first true impression of the forces at work
- collegiate-age students, with a
predictably youthful, inexperienced sound -
and with far too many participants for a
clean recorded sound. Alto Laura
Graber doesn't impress - she sits on the
phrases without any sense of momentum or
line. Soprano Christina Rohm, who
appears on just four short recitatives, has
plenty of brilliance, with a wide-eyed
reading that often leans into
sharpness. Faith Beam has the most
pleasing tone on the album, but sadly
struggles on her melismas. Meanwhile,
poor tenor Joy Saquing is given a mere
nineteen seconds in which to shine, and
fails to impress. Finally, Julie
Bryenton chestily hoots her way through "I
Know That My Redeemer Liveth".
Available through the Moody Bible Institute
web site, or through CDBaby, this recording
can be missed by all but the most ardent
collectors.
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